A City of Sadness (BFI Modern Classics) by Bérénice Reynaud

Alain Resnais (French Film Directors) by Emma Wilson

Bruno Dumont (Editions Dis Voir) by Sébastien Ors, Philippe Tancelin, and Valérie Jouve

Childhood Days: A Memoir by Satyajit Ray

Chris Marker: Memories of the Future by Catherine Lupton

Cinema Interval by Trinh T. Minh-ha

Cinema of the Other Europe: The Industry and Artistry of East Central European Film by Dina Iordanova

Claire Denis by Judith Mayne

Close Up – Iranian Cinema: Past, Present and Future by Hamid Dabashi

DEFA East German Cinema, 1946-1992 edited by Seán Allan and John Sandford

Disintegration in Frames by Pavle Levi

Double Vision: My Life in Film by Andrzej Wajda

Eros Plus Masscre: An Introduction to the Japanese New Wave Cinema by David Desser

The Essential Mystery: The Major Filmmakers of Indian Art Cinema by John W. Hood

Film: The Front Line – 1983 by Jonathan Rosenbaum

The Films of Oshima Nagisa: Images of a Japanese Iconoclast by Maureen Turim

The Films of Theo Angelopoulos: A Cinema of Contemplation by Andrew Horton

Harun Farocki: Working on the Sight-Lines, edited by Thomas Elsaesser

Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary by Abé Mark Nornes

Indecent Exposures: Buñuel, Saura, Erice and Almodóvar by Gwynne Edwards

The Last Modernist: The Films of Theo Angelopoulos edited by Andrew Horton

Manoel de Oliveira by Randal Johnson

Marguerite Duras (French Film Directors) by Renate Günther

My Only Great Passion: The Life and Films of Carl Theodor Dreyer by Jean Drum and Dale D. Drum

My Years With Apu, A Memoir by Satyajit Ray

Nelson Pereira dos Santos by Darlene J. Sadlier

Nippon Modern: Japanese Cinema of the 1920s and 1930s by Mitsuyo Wada-Marciano

Nothing Happens: Chantal Akerman’s Hyperrealist Everyday by Ivone Margulies

Our Films, Their Films by Satyajit Ray

Ozu by Donald Richie

Patterns of Time: Mizoguchi and the 1930s by Donald Kirihara

Poetics of Cinema 2 by Raúl Ruiz

Questions of Third Cinema edited by Jim Pines and Paul Willemen

Radical Juxtaposition: The Films of Yvonne Rainer by Shelley Green

Refiguring Spain: Cinema/Media/Representation edited by Marsha Kinder

Reframing Japanese Cinema: Authorship, Genre, History edited by Arthur Nolletti Jr. and David Desser

Rows and Rows of Fences – Ritwik Ghatak on Cinema by Ritwik Ghatak

Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton

Shohei Imamura (Cinematheque Ontario Monographs, No. 1) edited by James Quandt

Speaking the Language of Desire: The Films of Carl Dreyer by Ray Carney

Split Screen: Belgian Cinema and Cultural Identity by Philip Mosley

Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite by Sylvie Lindeperg

Patterns of Time: Mizoguchi and the 1930s by Donald Kirihara

Tsai Ming Liang (Editions Dis Voir) by Jean Pierre Rehm, Olivier Joyard, and Danièle Revière

Wong Kar Wai (Editions Dis Voir) by Jean-Marc Lalanne, David Martinez, Ackbar Abbas, and Jimmy Ngai